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Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
Another early example is the use of interior monologue by T. S. Eliot in his poem "The Love Song of J. Alfred Prufrock" (1915), "a dramatic monologue of an urban man, stricken with feelings of isolation and an incapability for decisive action," [29] a work probably influenced by the narrative poetry of Robert Browning, including "Soliloquy of ...
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Sep. 29—Gale Sayers, the late, great halfback of the Chicago Bears, wrote a book called I am Third. The title referred to what he said was his approach to life: "The Lord is first, my friends ...
For example, in the sentence "the quick brown fox jumps over the lazy dog", there are two third-person referents, the fox and the dog. Thus, one of them has to be proximate and the other one has to be obviative, depending on which one the speaker considers more central to the story.
Third Persona is "the 'it' that is not present, that is objectified in a way that 'you' and 'I' are not." [1] Third Persona, as a theory, seeks to define and critique the rules of rhetoric, to further consider how we talk about what we talk about—the discourse of discourse—and who is affected by that discourse. [2]