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A parallelogram with base b and height h can be divided into a trapezoid and a right triangle, and rearranged into a rectangle, as shown in the figure to the left. This means that the area of a parallelogram is the same as that of a rectangle with the same base and height:
The other two sides are called the legs (or the lateral sides) if they are not parallel; otherwise, the trapezoid is a parallelogram, and there are two pairs of bases. A scalene trapezoid is a trapezoid with no sides of equal measure, [3] in contrast with the special cases below.
A square is a special case of a rhombus (equal sides, opposite equal angles), a kite (two pairs of adjacent equal sides), a trapezoid (one pair of opposite sides parallel), a parallelogram (all opposite sides parallel), a quadrilateral or tetragon (four-sided polygon), and a rectangle (opposite sides equal, right-angles), and therefore has all ...
Informally: "a box or oblong" (including a square). Square (regular quadrilateral): all four sides are of equal length (equilateral), and all four angles are right angles. An equivalent condition is that opposite sides are parallel (a square is a parallelogram), and that the diagonals perpendicularly bisect each other and are of equal length.
For an example, any parallelogram can be subdivided into a trapezoid and a right triangle, as shown in figure to the left. If the triangle is moved to the other side of the trapezoid, then the resulting figure is a rectangle. It follows that the area of the parallelogram is the same as the area of the rectangle: [2] A = bh (parallelogram).
The Varignon parallelogram is a rectangle if and only if the diagonals of the quadrilateral are perpendicular, that is, if the quadrilateral is an orthodiagonal quadrilateral. [6]: p. 14 [7]: p. 169 For a self-crossing quadrilateral, the Varignon parallelogram can degenerate to four collinear points, forming a line segment traversed twice.
Islamic art makes frequent use of tessellations, as did the art of M. C. Escher. [136] Escher's work also made use of hyperbolic geometry. Cézanne advanced the theory that all images can be built up from the sphere, the cone, and the cylinder. This is still used in art theory today, although the exact list of shapes varies from author to author.
A rhombus is an orthodiagonal quadrilateral with two pairs of parallel sides (that is, an orthodiagonal quadrilateral that is also a parallelogram). A square is a limiting case of both a kite and a rhombus. Orthodiagonal quadrilaterals that are also equidiagonal quadrilaterals are called midsquare quadrilaterals. [2]