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The texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices (see Common types below). For example, a thick texture contains many ...
Eastman School of Music at the University of Rochester: Spohr-Briefe: 19th-century, German: 6,000 Letters from and to the composer, violinist and conductor Louis Spohr. Spohr Museum Tablature in PDF and PostScript: lute, tab: 75 Lute music available in EPS, PDF, MIDI, or TAB format. Wayne Cripps of Dartmouth College: Tomas Luis de Victoria
The Railsback curve shows how a piano tuned to compensate for inharmonicity deviates from theoretically correct equal-tempered tuning. The Railsback curve, first measured in the 1930s by O.L. Railsback, a US college physics teacher, expresses the difference between inharmonicity-aware stretched piano tuning, and theoretically correct equal-tempered tuning in which the frequencies of successive ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A single eighth note, or any faster note, is always stemmed with flags, while two or more are typically beamed in groups. [1] In modern practice, beams may span across rests in order to make rhythmic groups clearer. In vocal music, beams were traditionally used only to connect notes sung to the same syllable. [2]
In a whole note, the notehead, shaped differently than shorter notes, is the only component of the note. Shorter note values attach a stem to the notehead, and possibly beams or flags. The longer double whole note can be written with vertical lines surrounding it, two attached noteheads, or a rectangular notehead. [ 1 ]
One common tone, two notes move by half step motion, and one note moves by whole step motion. Resolution in Western tonal music theory is the move of a note or chord from dissonance (an unstable sound) to a consonance (a more final or stable sounding one). Dissonance, resolution, and suspense can be used to create musical interest.
Frederick Neumann (in 1973) indicates that any of the 3 notes of a 3-note slide could occur on the beat, but did not cite any sources to support this. [5] By 1993, he stated that the slide could occur only before or on the beat (i.e. the last note of the slide on the beat, or the first note of the slide on the beat).