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He likely got it from a Big Bill Broonzy recording "Rockin' Chair Blues" from 1940 using the phrase "rock me, baby". The phrase "like a wagon wheel" is used in the 1939 Curtis Jones song "Roll Me Mama" that includes the lines "Now roll me over, just like I'm a wagon wheel" and "just like I ain't got no bone". He re-recorded it in 1963 as "Roll ...
Both "Rock Me, Mama" and "Sweet Amarillo" were eventually completed and recorded by the Nashville band Old Crow Medicine Show, who credited Bob Dylan as co-writer. "Wagon Wheel" was released in 2004 (and subsequently covered by many other artists, including Darius Rucker) and "Sweet Amarillo" was released in 2014. [10]
Fuqua first brought home a Bob Dylan bootleg from a family trip to London containing a rough outtake called "Rock Me, Mama", [n 3] passing it to Secor. [i 3] Not "so much a song as a sketch," Secor would later say, "crudely recorded featuring most prominently a stomping boot, the candy-coated chorus and a mumbled verse that was hard to make out ...
Secor is known for co-writing Old Crow Medicine Show's biggest hit and signature song, "Wagon Wheel", which started as a short snippet recorded by Bob Dylan in 1973 called "Rock Me, Mama" — extended by Secor to include new verses about feeling homesick for the south and hitchhiking his way home. [4]
B.B. King's "Rock Me Baby" is based on the 1951 song "Rockin' and Rollin'" by Lil' Son Jackson. [1] King's lyrics are nearly identical to Jackson's, although instrumentally the songs are different: "Rockin' and Rollin'" is a solo piece, with Jackson's vocal and guitar accompaniment, whereas "Rock Me Baby" is an ensemble piece.
Nov. 28—Mimi Kaufman of Salem isn't starting a bakery. But she also wasn't quite ready to give up the flagship red cake dessert at the Wagon Wheel, the restaurant she has owned alongside her ...
Songs include obscure traditional tunes and original compositions by group members. The album features their signature tune, "Wagon Wheel", written by frontman Ketch Secor using a Bob Dylan chorus. The album was produced by David Rawlings. Gillian Welch plays drums on two tracks.
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