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In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is burden (bourdon or burdon) [1] [2] such as a "drone [pipe] of a bagpipe", [3] [4] the pedal point in an organ, or the lowest course of ...
The musette de cour or baroque musette is a musical instrument of the bagpipe family. Visually, the musette is characterised by the short, cylindrical shuttle-drone and the two chalumeaux. Both the chanters and the drones have a cylindrical bore and use a double reed, giving a quiet tone similar to the oboe. The instrument is blown by a bellows.
Cimpoi is the Romanian bagpipe. Cimpoi has a single drone called bâzoi or bîzoi ("buzzer") and straight bore chanter called carabă ("whistle"). It is less strident than its Balkan relatives. [1] Romanian cimpoi player. The chanter often has five to eight finger holes, and is sometimes curved at the end.
Unlike other bagpipes, the koza has three drones: one in the separate drone-pipe, and two in the chanter, which has three channels.This wind instrument consists of a single reed pipe, often made of a cane blade lapped onto copper tubing, set into motion when wind is fed by arm pressure on a goat-skin bag. [3]
The chanter has a specific curve at the end, with a hexagonal section, and the shape of the channel inside the chanter is reverse cone. The most common drone tone on a kaba gaida is E. The song "Izlel e Delio Haidutin", played on the kaba gaida and included on the Voyager Golden Record , was among the sounds selected to portray the diversity of ...
Dudelsack: German bagpipe with two drones and one chanter. Also called Schäferpfeife (shepherd pipe) or Sackpfeife. The drones are sometimes fit into one stock and do not lie on the player's shoulder but are tied to the front of the bag. (see: de:Schäferpfeife) Marktsackpfeife: a bagpipe reconstructed from medieval depictions
Because of the accompanying drone or drones, the lack of modulation in bagpipe melody, and stable timbre of the reed sound, in many bagpipe traditions the tones of the chanter are tuned using just intonation, although bagpipe tuning is highly variable across traditions. [1]
The earliest known description of such an instrument in Britain is in the Talbot manuscript [7] from about 1695. The descriptions of bagpipes mentioned in this early source are reproduced in [8] One of these instruments was a bellows-blown 'Bagpipe, Scotch', with three drones, whose keyless chanter had a one-octave range from G to g, with each note being sounded by uncovering a single hole, as ...
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