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  2. Cross-cutting - Wikipedia

    en.wikipedia.org/wiki/Cross-cutting

    Cross-cutting was established as a film-making technique relatively early in film history (two examples being Edwin Porter's 1903 short The Great Train Robbery and Louis J. Gasnier's 1908 short The Runaway Horse); Griffith was its most famous practitioner.

  3. Edwin S. Porter - Wikipedia

    en.wikipedia.org/wiki/Edwin_S._Porter

    The one-reel film, with a running time of twelve minutes, was assembled in twenty separate shots, along with a startling close-up of a bandit firing at the camera. It used as many as ten different indoor and outdoor locations and was groundbreaking in its use of "cross-cutting" in film editing to show simultaneous action in different places. No ...

  4. Life of an American Fireman - Wikipedia

    en.wikipedia.org/wiki/Life_of_an_American_Fireman

    On the basis of this, Porter was hailed as an innovative editor. However, subsequent research by the paper print project at the Library of Congress suggested that the cross-cut version was re-edited at some unspecified time after the film's 1903 release, and that in its original form it used few, if any, of the pioneering edits claimed. As ...

  5. History of film - Wikipedia

    en.wikipedia.org/wiki/History_of_film

    After 1914, cross cutting between parallel actions came to be used – more so in American films than in European ones. Cross-cutting was used to get new effects of contrast, such as the cross-cut sequence in Cecil B. DeMille's The Whispering Chorus (1918), in which a supposedly dead husband is having a liaison with a Chinese prostitute in an ...

  6. Cinematic techniques - Wikipedia

    en.wikipedia.org/wiki/Cinematic_techniques

    Cut An editorial transition signified by the immediate replacement of one shot with another. Cross-cutting Cutting between different events occurring simultaneously in different locations. Especially in narrative filmmaking, cross-cutting is traditionally used to build suspense or to suggest a thematic relationship between two sets of actions.

  7. Robert Zemeckis Breaks Down the Cutting Edge Tech That ... - AOL

    www.aol.com/entertainment/robert-zemeckis-breaks...

    Three decades after making “Forrest Gump,” director Robert Zemeckis is once again looking back in time and pushing filmmaking boundaries as he reteams with Tom Hanks and Robin Wright for his ...

  8. Post-classical editing - Wikipedia

    en.wikipedia.org/wiki/Post-Classical_Editing

    The point of the invisible cut is to mask every cut, so the audience could forget they were watching a movie, and fully immerse themselves in the film. Invisible cuts are accomplished by matching the motion and making the switch between shots so smooth, making it look like one fluid motion, even if there is a change of shot composition.

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