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Jehan (Jean) Texier or Le Texier (before 1474 – 29 December 1529 in Chartres [1]), better known as Jehan (Jean) de Beauce was a 15th/16th-century French architect. He is known for his works of religious architecture, notably on the Chartres cathedral of which he reconstructed the northern spire.
A few important examples of 12th-century windows are found at Chartres Cathedral on the inside of the western facade, in three lancet windows under the rose window. These windows survived a devastating fire in the Cathedral in 1194, and are considered some of the best examples of 12th-century work in France. [5]
French Gothic architecture was the result of the emergence in the 12th century of a powerful French state centered in the Île-de-France.During the reign of Louis VI of France (1081–1137), Paris was the principal residence of the Kings of France, Reims the place of coronation, and the Abbey of Saint-Denis became their ceremonial burial place.
Chartres was the primary basis for the fictional cathedral in David Macaulay's Cathedral: The Story of Its Construction and the animated special based on this book. Chartres was an important setting in the religious thriller Gospel Truths by J. G. Sandom. The book used the cathedral's architecture and history as clues in the search for a lost ...
Chartres' windows are celebrated for their cobalt blue, known as "Chartres blue" or "Romanesque blue", which first emerged in the workshops at Saint-Denis Basilica in the 1140s and was also used at Le Mans Cathedral. With a sodium base coloured with cobalt, it is the more resistant than reds and greens of the same era.
This model appeared at Chartres Cathedral and was copied at Reims Cathedral and other later structures. [ 9 ] Another characteristic separating "Gothique Classique" from Early Gothic is The absence of lateral tribunes between the upper lower levels of the walls.
The first chapter treats the Mont Saint Michel Abbey: its architectural history as well as what the building and its patron represented for the people of that time.The second chapter concerns the great medieval epic Le Chanson de Roland, a poem which, Adams argued, "expressed the masculine and military passions of the Archangel" [4] represented by that first cathedral.
The mitred bishop leads a clerk towards the cathedral, which is shown with a red door and double flying buttresses in the Gothic style of the new cathedral at Chartres (in Thomas' time Canterbury Cathedral was still a piece of Romanesque architecture). The scene is outside, as demonstrated by the crenellated ridge on the roof.
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