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The Korean flute, called the daegeum, 대금, is a large bamboo transverse flute used in traditional Korean music. It has a buzzing membrane that gives it a unique ...
Directed by Bob Hercules and Bob Jackson. Produced by Dan King. Lake Forest, Illinois: America's Flute Productions. Five distinguished traditional flute artists - Tom Mauchahty-Ware, Sonny Nevaquaya, R. Carlos Nakai, Hawk Littlejohn, Kevin Locke – talk about their instrument and their songs and the role of the flute and its music in their tribes.
Directed by Bob Hercules. Produced by Dan King. Lake Forest, Illinois: America's Flute Productions. Five distinguished traditional flute artists – Tom Mauchahty-Ware, Sonny Nevaquaya, R. Carlos Nakai, Hawk Littlejohn, Kevin Locke – talk about their instrument and their songs and the role of the flute and its music in their tribes. [67]
After his accident, Nakai had a brief struggle with drugs and alcohol. [4] In 1972 he was given a traditional cedar flute, which he gradually taught himself to play, going on to purchase an instrument from Oliver William Jones, a flute maker from California who Nakai met while working as a vendor at a museum.
Madden in 2018. Joanie Madden is an Irish-American flute and whistle player of Irish traditional music. She is best known as leader of the all-female group Cherish the Ladies, but has also recorded and performed with numerous other musicians, and as a solo artist. [1]
The B-flat khlui is a traditional one that is used to play Thai songs and with Thai ensemble, while the C khlui is later modified to adapt the western chromatic scale. Both types are very common. However, traditional Thai khlui is slightly more flat than the Western standard B-flat, but well-tuned khlui also exist.
Washint (Amharic: ዋሽንት) is an end-blown wooden flute originally used in Ethiopia.Traditionally, Amharic musicians would pass on their oral history through song accompanied by the washint as well as the krar, which is a six stringed lyre, and the masenqo, a one string fiddle.
The quena is mostly used in traditional Andean music. In the 1960s and 1970s the quena was used by several nueva canción musicians. This use was in most cases for particular songs and not as a standard instrument, but some groups such as Illapu and virtuoso player Facio Santillan have used it regularly.
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