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"Heart Over Mind" is a song by English-Norwegian music producer and DJ Alan Walker and American singer Daya. It was released on 9 November 2023, through MER. The song reached number 1 on the Russian Airplay Charts and appears on Walker's fourth studio album, Walkerworld.
Label: Sony Music Japan International; Formats: CD, digital download ... "Heart Over Mind" (with Daya) ... showing original artists, year released, with selected ...
The original album version was edited for the 7-inch single release and extended for the CD single. The B-side is a non-album track called "I've Found a Reason", and the CD single also featured an extended version of "Touched by Your Magic" from Love Is. "Heart Over Mind" became Wilde's 19th UK top-40 hit.
Heart over Mind may refer to: Heart over Mind (Anne Murray album), 1984; Heart over Mind (Jennifer Rush album), 1987; Heart over Mind (Tammy Wynette album), 1990 "Heart Over Mind" (Alan Walker song), 2023 "Heart over Mind" (Kim Wilde song), 1992 "Heart over Mind", a song by Jennifer Rush from the album of the same name.
In 1970, he reached the Top 5 with "Heart Over Mind", which peaked at No. 3 on the Hot Country Songs list. After this, Tillis' career as a country singer went into full swing. Hits soon came quite easily, such as "Heaven Everyday" (1970), "Commercial Affection" (1970), "Arms of a Fool" (1970), "Take My Hand" (a duet with Sherry Bryce in 1971 ...
Touch My Heart "Touch My Heart" 3 — — 1967 "Danny Boy" 9 60 — Danny Boy "Crazy" 73 — — "I'm Still Not Over You" 6 — 16 Take Me as I Am "Take Me as I Am (Or Let Me Go)" 8 — 3 1968 "I've Been There Before" 11 — 35 She Wears My Ring "She Wears My Ring" 6 — 7 "Set Me Free" 51 — — 1969 "Sweetheart of the Year" 11 — 8 ...
War Paint is the fourth studio album by American country music artist Lorrie Morgan.The album was released via BNA Records in 1994. It contains the singles "My Night to Howl," "If You Came Back from Heaven," and "Heart Over Mind."
The pan-European magazine Music & Media named Heart Over Mind one of its "albums of the week" in the issue dated March 7, 1987. [9] The magazine praised Jennifer's "powerful, confident and melodramatic" vocals and noted the album was suited for "the adult, Mainstream American market" with its "calculated balance between powerful rock songs and gentle, swaying ballads".