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The Incredulity of Saint Thomas by Caravaggio, c. 1602. A doubting Thomas is a skeptic who refuses to believe without direct personal experience – a reference to the Gospel of John's depiction of the Apostle Thomas, who, in John's account, refused to believe the resurrected Jesus had appeared to the ten other apostles until he could see and feel Jesus's crucifixion wounds.
The first usage of the term "God-man" as a theological concept appears in the writing of the 3rd-century Church Father Origen: [2]. This substance of a soul, then, being intermediate between God and the flesh – it being impossible for the nature of God to intermingle with a body without an intermediate instrument – the God-man is born.
The Institution of the Eucharist by Nicolas Poussin, 1640. In Christian theology, the term Body of Christ (Latin: Corpus Christi) has two main but separate meanings: it may refer to Jesus Christ's words over the bread at the celebration of the Jewish feast of Passover that "This is my body" in Luke 22:19–20 (see Last Supper), or it may refer to all individuals who are "in Christ" (1 ...
A minority of charismatic Christian universalists believe that the "return of Christ" is a corporate body of perfected human beings who are the "Manifested Sons of God" instead of a literal return of the person of Jesus, and that these Sons will reign on the earth and transform all other human beings from sin to perfection during an age that is ...
Hypostatic union (from the Greek: ὑπόστασις hypóstasis, 'person, subsistence') is a technical term in Christian theology employed in mainstream Christology to describe the union of Christ's humanity and divinity in one hypostasis, or individual personhood.
The cosmic Christ is a view of Christology which emphasises the extent of Jesus Christ's concern for the cosmos. The biblical bases for a cosmic Christology is often found in Colossians , Ephesians , and the prologue to the gospel of John .
Christ Carrying the Cross (also referred to as Christ Bearing the Cross) is a painting attributed to a follower of Hieronymus Bosch. It was painted in the early 16th century, presumably between 1510 and 1535. The work is housed in the Museum of Fine Arts in Ghent, Belgium. Various aspects of the painting have been a source of scholarly debate. [1]
James P. Hanigan writes that individual conversion is the foundational experience and the central message of Christianity, adding that Christian conversion begins with an experience of being "thrown off balance" through cognitive and psychological "disequilibrium", followed by an "awakening" of consciousness and a new awareness of God. [7]