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The following is an overview of 1931 in film, including significant events, a list of films released and notable births and deaths. Top-grossing films (U.S.) [ edit ]
Melati van Agam was released in two parts, [1] with the first premiering on 16 December 1931. Kwee Tek Hoay, writing for Panorama magazine, ridiculed the film's "illogical" plot and wrote that "even the stupidest villager could spot the flaws"; [ a ] he considered Norma's actions more befitting a prostitute than an average woman. [ 6 ]
The Serbian Wikipedia (Serbian: Википедија на српском језику, Vikipedija na srpskom jeziku) is the Serbian-language version of the free online encyclopedia Wikipedia. Created on 16 February 2003, it reached its 100,000th article on 20 November 2009 before getting to another milestone with the 200,000th article on 6 July ...
German-language. Lost film El Impostor: Lewis Seiler: Juan Torena, Blanca Castejon: Drama: Spanish language [6] Eran Trece: David Howard: Juan Torena, Ana Maria Custodio: Comedy. Mystery: Spanish language [7] La ley del harem: Lewis Seiler: José Mojica, Carmen Larrabeiti: Drama: Spanish language [8] Mi ultimo amor: Lewis Seiler: José Mojica ...
City of Song, also known as Farewell to Love, is a 1931 British/German romance film directed by Carmine Gallone and starring Jan Kiepura, Betty Stockfeld and Hugh Wakefield. [1] It was shot at Wembley Studios. [2] The film's sets were designed by the art directors Oscar Friedrich Werndorff and J. Elder Wills.
His Woman is a 1931 American pre-Code romance drama film directed by Edward Sloman and starring Gary Cooper and Claudette Colbert. [1] Based on the novel His Woman by Dale Collins, the story is about a tough sea captain who discovers a baby aboard his freighter and hires a tramp, masquerading as a missionary's daughter, to care for the infant on their passage to New York.
The Criminal Code is a 1931 American pre-Code romantic crime drama film directed by Howard Hawks and starring Walter Huston and Phillips Holmes.The screenplay, based on a 1929 play of the same name by Martin Flavin, was written by Fred Niblo Jr. and Seton I. Miller, who were nominated for Best Adaptation at the 4th Academy Awards but the award went to Howard Estabrook for Cimarron.
Although shot on a tight budget (Powell's own recollections varied between £4,500 and £8,000) [1] Rynox was exceptionally well received by contemporary critics. Writing in The Observer, noted critic C. A. Lejeune presciently remarked: "Powell's Rynox shows what a good movie brain can do... this is the sort of pressure under which a real talent is shot red-hot into the world."