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"My Heart Will Go On" is in the key of E major. The verses follow the chord progression of E–Bsus4–Aadd9–E–B, while the choruses follow C ♯ m–B–A–B. The song modulates to A-flat major at the end. [13] It contains emphasis on the instrumental arranging. Usage of Tin Whistle is prominent, backed by melodic use of strings and ...
The soundtrack's success led to the release of a second volume, called Back to Titanic which contained a mixture of previously unreleased soundtrack recordings and newly recorded performances of some of the songs in the film, including one track recorded by Clannad singer, Máire Brennan. Back to Titanic was certified platinum by the RIAA. [21]
The Japanese National Railways used a chime whistle that sounds like a very deep single-note plain whistle, because the chords where just accessed in a simple parallel circuit if the whistle trigger is pulled down. [20] Organ whistle – a whistle with mouths cut in the side, usually a long whistle in relation to diameter, hence the name. These ...
"Tempest" is an epic modern folk song about the sinking of the RMS Titanic written and performed by American singer-songwriter Bob Dylan. It appears as the ninth track on his 2012 studio album of the same title. Like much of Dylan's 21st-century output, he produced the song himself using the pseudonym Jack Frost.
Items resembling homemade explosives were found in the car of a Virginia man arrested on New Year's Day, according to officials. On Wednesday, police officers arrested Alexander Sweetman, 19, from ...
Aden Holloway made eight 3-pointers and scored 26 points off the bench, and No. Alabama overwhelmed South Dakota State with 19 made 3-pointers in a 105-82 victory on Sunday. Labaron Philon added ...
Part of Titanic's iconic front tip has fallen off at the bottom of the ocean, researchers report.. The prow inspired one of the most famous scenes in James Cameron's 1997 film about the shipwreck ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.