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"The Miller's Tale" (Middle English: The Milleres Tale) is the second of Geoffrey Chaucer's Canterbury Tales (1380s–1390s), told by the drunken miller Robin to "quite" (a Middle English term meaning requite or pay back, in both good and negative ways) "The Knight's Tale". The Miller's Prologue is the first "quite" that occurs in the tales.
Owing to the quality of its decoration and illustrations, Ellesmere is the most frequently reproduced Chaucer manuscript. [1]: 59 In order of appearance in the Ellesmere Chaucer (note that not all storytellers have an illumination): [6] Knight (fol. 10r) Miller (fol. 34v) Reeve (fol. 42r) Cook (fol. 47r) Man of Law (fol. 50v) Wife of Bath (fol ...
Early examples of Middle English literature are the Ormulum and Havelock the Dane. In the fourteenth century major works of English literature began once again to appear, including the works of Chaucer. The latter portion of the 14th century also saw the consolidation of English as a written language and a shift to secular writing.
Chaucer first used the rhyme royal stanza in his long poems Troilus and Criseyde and the Parlement of Foules, written in the later fourteenth century.He also used it for four of the Canterbury Tales: the Man of Law's Tale, the Prioress' Tale, the Clerk's Tale, and the Second Nun's Tale, and in a number of shorter lyrics.
While Chaucer's Wife of Bath is clearly familiar with the many ancient and medieval views on proper female behavior, she also boldly questions their validity. Her repeated acts of remarriage, for instance, are an example of how she mocks "clerical teaching concerning the remarriage of widows". [16]
The traditional estates were specific to men (although the clergy also included nuns); women were considered a class in themselves, [1] the best-known example being Geoffrey Chaucer's Wife of Bath. Estate satire praised the glories and purity of each class in its ideal form, but was also used as a window to show how society had gotten out of hand.
A focal point of her interest in Chaucer's canon was the Miller's Tale, upon which she wrote much exceptional work, more than any other Victorian writer; she translated and adapted it for adult males, adult females, and children; published two different explications of the story; and discussed it at length in separate articles. [11]
Chaucer's "The Miller's Tale" is in Aristides' tradition. M. C. Howatson, in The Oxford Companion to Classical Literature (1989), voiced the traditional view the Milesian tale is the source "of such medieval collections of tales as the Gesta Romanorum , the Decameron of Boccaccio , and the Heptaméron of Marguerite of Navarre ".