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Additional rooms might be accessed from an external wooden gallery, cantilevered from holes and corbels along the walls, as seen the 13th-century house at Poreč, Croatia. Doorways might have a stone or wooden lintel, but were often arched, and in finer houses had mouldings, decorative carvings and perhaps colonnettes and carved capitals around ...
The absence of load-bearing partition walls affords greater flexibility in design and use of living spaces; the house is unrestrained in its internal use. [2] Free design of the façade – separated exterior of the building is free from conventional structural restriction, allowing the façade to be unrestrained, lighter, more open. [2]
The wall cladding in the main house is a horizontal shiplap with vertical lapboard. All of the windows are framed with grooved vertical moulding and other trim work, such as sunbursts above the second story windows. Below the cornice, the house also has a frieze board which includes scrollwork sunbursts and stars.
Polychrome brickwork also became popular in Europe in the later 19th century as part of the various medieval and Romanesque revivals. In France, the Menier Chocolate Factory in Noisiel, designed by Jules Saulnier and completed in 1872, is an early and very elaborate example, which is also noted for its early use of iron structure.
Romanesque architecture [1] is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. [2] The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches.
The appearance of rustication, creating a rough, unfinished stone-like surface, can be worked on a wooden exterior. This process became popular in 18th century New England to translate the features of Palladian architecture to the house-carpenter's idiom: in Virginia Monticello and Mount Vernon both made use of this technique. Mount Vernon in ...
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The exterior decoration of the early Romanesque churches was simple, usually composed of vertical stripes of carved stone joined at the top by a band of simple arcs (bandes lombardes); or a frieze of arcs, and, at the chevet, a series of toothlike niches. The columns often had cubic carved capitals.