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Solo de concert No. 4, Opus 84 for Tenor Saxophone and Piano (1862)—Jean-Baptiste Singelée; Solo de concert No. 6, Opus 92 for Tenor Saxophone and Piano (1863)—Jean-Baptiste Singelée; Premier Solo andante et bolero for tenor saxophone and piano (1866)—Jules Demersseman; Brasiliana No. 7 for Tenor Saxophone and Piano (1956)—Radamés ...
Early in the development of the saxophone the upper keyed range was extended to E, then to F above the staff; 1880s era sheet music for saxophone was written for the range of low B to F. In 1887 the Buffet-Crampon company obtained a patent for extending the bell and adding an extra key to extend the range downwards by one semitone to B ♭. [14]
The genre of solo saxophone has a rich, but largely unmapped history in contemporary music, particularly jazz. [1] Many, but not all, musicians who play and record solo saxophone use extended techniques, a vocabulary of the saxophone beyond its normal range.
Jean-Baptiste Illinois Jacquet (October 30, 1922 – July 22, 2004) [1] was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo. [2] He is also known as one of the writers of the jazz standard "Don'cha Go 'Way Mad."
Saxophone Solos is a solo soprano saxophone album by Evan Parker. Three of the tracks were recorded live on June 17, 1975, at the Unity Theatre in London, and the remaining music was recorded on September 9, 1975 at the FMP Studio in Berlin. [ 1 ]
David William Sanborn (July 30, 1945 – May 12, 2024) was an American alto saxophonist.He worked in many musical genres; his solo recordings typically blended jazz with instrumental pop and R&B. [1]
Symphony for Saxophone and Wind Band, by Gerald Eugene Kemner (1932–2006) (composed around 1962 for Hemke) Music editions. Hemke has edited works for saxophone solos and saxophone ensembles, twenty-five of which are part of the Frederick Hemke Saxophone Series published by the Southern Music Company. [j]
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist. [1] One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". [2]