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Rembrandt Laughing is a c. 1628 oil on copper painting by the Dutch painter Rembrandt van Rijn. It is an elaborate study of a laughing face, a tronie , and, since it represents the painter himself, one of over 40 self-portraits by Rembrandt , probably the earliest elaborate one.
A Corpus of Rembrandt Paintings V (The Small-Scale History Paintings). van de Wetering, Ernst (Ed.). Springer. 2010. ISBN 978-1-4020-4607-0. A Corpus of Rembrandt Paintings VI: Rembrandt’s Paintings Revisited – A Complete Survey. Ernst van de Wetering. Springer. 2014. ISBN 978-9-4017-9173-1.
Rembrandt's self-portraits were created by the artist looking at himself in a mirror, [16] and the paintings and drawings therefore reverse his actual features. In the etchings the printing process creates a reversed image, and the prints therefore show Rembrandt in the same orientation as he appeared to contemporaries. [17]
Wikidata:WikiProject sum of all paintings/Catalog/Rembrandt catalog raisonné, 1969 Metadata This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
Portrait of Jan Six is a 1654 oil-on-canvas painting by the Dutch painter Rembrandt van Rijn.Having been handed down many generations, via the direct descendants of the portrait's subject, Jan Six, the work remains in the Six Collection in Amsterdam.
A painting valued at $15,000 just two years ago is now expected to fetch up to $18 million at auction after being identified as the work of the Dutch master Rembrandt. “The Adoration of the ...
Rembrandt Harmenszoon van Rijn (/ ˈ r ɛ m b r æ n t, ˈ r ɛ m b r ɑː n t /; [2] Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] ⓘ; 15 July 1606 [1] – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman.
The painting shows an artist' studio in realist style. It is held by the Museum of Fine Arts in Boston , Massachusetts . One critical analysis of the painting commented on the size disparity between the canvas inside the painting and the actual canvas, saying "Rembrandt's picture is small relative to its subject, rendering something far grander ...
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