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The phrase port de bras is used in some schools and parts of the world to indicate a bending forward, backward, or circularly of the body at the waist, generally to be followed by bringing the upper body back to center/upright again, e.g. "port de bras forward", "port de bras back", "circular port de bras/grand port de bras".
A jazz term which instructs chord-playing musicians such as a jazz pianist or jazz guitarist to perform a dominant (V7) chord with at least one (often both) altered (sharpened or flattened) 5th or 9th altissimo Very high; see also in altissimo alto High; often refers to a particular range of voice, higher than a tenor but lower than a soprano
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A jazz term which describes a jazz rhythm section performer (usually a chordal instrument such as jazz guitar, jazz piano, Hammond organ, etc.) playing accompaniment chords. comping takes. Selecting or "cherry picking" the best performances from various audio tracks in order to 'bounce' or piece together one contiguous audio track.
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Although a music score might call the final passage of the "Dance of the Sugerplum Fairy" a coda, it is certainly NOT a coda in the art of ballet. As is stated in the definition, a coda is a piece of music which brings the suite of dances known as the Grand pas, Grand pas de deux, Grand pas d'action, etc. to a close.
A basic figure is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different handhold [broken anchor] s and dance positions [broken anchor] to enjoy it socially.
The music was modernist and dissonant, and the movements were highly stylized. In 1924 George Antheil wrote Ballet Mécanique, which was actually for a film of moving objects, not for dancers, but it was pioneering in the use of jazz music. From this point dance music split into two directions: modern and jazz dance.
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