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Tomorrow is a 1972 American drama film directed by Joseph Anthony and starring Robert Duvall and Olga Bellin. The screenplay was written by Horton Foote , adapted from a play he wrote for Playhouse 90 that was itself based on a 1940 short story by William Faulkner in the short story collection Knight's Gambit . [ 1 ]
Rotten Tomatoes logo. On the review aggregator website Rotten Tomatoes, a film has a rating of 100% if each professional review recorded by the website is assessed as positive rather than negative. The percentage is based on the film's reviews aggregated by the website and assessed as positive or negative, and when all aggregated reviews are ...
[6] In her review for The New York Times, Janet Maslin wrote: "It's not easy for the story's tear-jerking potential to be realized when its characters express their pain as if they were writing greeting cards." [4] Rita Kempley of The Washington Post wrote that "for all the moonlight and magic, the film scares up little in the way of ...
As of June 2023, the film holds an 86% approval rating on the review aggregator Rotten Tomatoes, based on 14 reviews with an average rating of 6.6/10. [6] On Metacritic , the film has a score of 59 out of 100, based on 4 critics, indicating "mixed or average reviews".
This is an accepted version of this page This is the latest accepted revision, reviewed on 25 February 2025. American review aggregator for film and television Rotten Tomatoes Screenshot Rotten Tomatoes's homepage as of April 1, 2021 Type of site Film and television review aggregator and user community Country of origin United States Owner Warner Bros. Discovery (25%) Comcast (75%) Founder(s ...
On Rotten Tomatoes, the film has an approval rating of 22%, based on reviews from 23 critics. [ 4 ] Richard Roeper of the Chicago Sun-Times commended Giannopoulos' directorial efforts, the star-studded ensemble and some "truly tense and harrowing moments" throughout the film, but felt it was nothing more than "a lower-budget descendant to films ...
The film is a fitting conclusion to the summer of Barbenheimer
Armond Allen White (born 1953) [1] [2] is an American film and music critic who writes for National Review and Out.He was previously the editor of CityArts (2011–2014), the lead film critic for the alternative weekly New York Press (1997–2011), and the arts editor and critic for The City Sun (1984–1996).