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Ayu Utami, whose 1998 novel Saman is noted as starting the sastra wangi movement. Sastra wangi (also spelled sastrawangi; literally, "fragrant literature") is a label given to a new body of Indonesian literature written by young, urban Indonesian women who take on controversial issues such as politics, religion and sexuality.
Indonesian literature is a term grouping various genres of South-East Asian literature.. Indonesian literature can refer to literature produced in the Indonesian archipelago.
Ravi Shankar performs Madhuvanti at the Shiraz Arts Festival in Iran in the 1970s. Madhuvanti is a raga used in Indian classical music.It is a Hindustani music raga, which is reported to have been borrowed into Carnatic music, [1] [2] and is structurally similar to Multani.
Signature of Hans Robert Jauss, 1972. Hans Robert Jauss (German: Jauß or Jauss; 12 December 1921 – 1 March 1997) was a German academic, notable for his work in reception theory (especially his concept of horizon of expectation) and medieval and modern French literature.
Sunadavinodini scale with shadjam at C. Sunadavinodini is a symmetric rāgam that does not contain rishabham and panchamam.It is a pentatonic scale (audava-audava ragam [1] [2] in Carnatic music classification – audava meaning 'of 5').
The most popular composition in Amritavarshini Ragam is the kriti Anandamrita Karshini by DikshitarMuthuswami_Dikshitar. Ennai Nee Maravate of Dandapani Desikar; Sarasiruhanayane of Thyagaraja (usually said misattributed) Sarasijaasani of Muthuswami Dikshitar; Vani Parama Kalyani By Vadiraja Tirtha; Eesabeku Iddu By Purandara Dasa
From 1976 to 1980, the daily Bali Post dedicated a section to local literature, [18] and in 1978 the Sabha Sastra Foundation compiled Mlantjaran ka Sasak into a single novel. The first new Balinese novels were published in 1980, after a competition was held by the Language Research Centre of Singaraja. [ 15 ]
Nagarakretagama was written as a puja sastra, a genre of Old Javanese literature of adoration and reverence, directed mainly to King Hayam Wuruk. Prapanca did not shy away to express his admiration, even bordering somewhat a cult, since he often invoked a divine quality of the king and his royal family.