Search results
Results from the WOW.Com Content Network
Hilly landscape with peasant family at a Cottage Door, Children playing and Woodcutter returning The Woodcutters Return. Thomas Gainsborough was the first British artist to employ cottages as a major subject, [1] [2] in what has become known as his "Cottage Door" paintings, painted during the final decades of his life; and was in the vanguard of a late 18th century fad of interest in them.
At 18th-century Holkham Hall, service and secondary wings (foreground) clearly flank the mansion and were intended to be viewed as part of the overall facade.. Servants' quarters, also known as staff's quarters, are those parts of a building, traditionally in a private house, which contain the domestic offices and staff accommodation.
Rococo architecture, prevalent during the reign of Louis XV in France from 1715 to 1774, is an exceptionally ornamental and exuberant architectural style characterized by the use of rocaille motifs such as shells, curves, mascarons, arabesques, and other classical elements.
Doors. If you can, try to save the doors found throughout the home. As Babcock says, doors in old houses are solid wood, unlike many new doors today which are veneers over plywood or Masonite.
In Montreal, English-born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal. In Australia, the Old Colonial Georgian residential and non-residential styles were developed in the period from c. 1810 – c. 1840.
Plank-frame houses are known from the 17th century with concentrations in the Massachusetts Bay Colony and Colony of Rhode Island and Providence Plantations. The carpentry consists of a timber frame with vertical planks extending from sill to plate. Sometimes there are studs at the doors but mostly the vertical planks replace the studs.
An 18th-century engraving of the villa. William Robinson of the Royal Office of Works contributed professional experience in overseeing construction. They looked at many examples of architecture in England and in other countries, adapting such works as the chapel at Westminster Abbey built by Henry VII for inspiration for the fan vaulting of the gallery, without any pretence at scholarship.
The Louis XVI style was a reaction to and transition the French Baroque style, which had dominated French architecture, decoration and art since the mid-17th century, and partly from a desire to establish a new Beau idéal, or ideal of beauty, based on the purity and grandeur of the art of the Ancient Romans and Greeks.