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In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...
Coltrane developed this modified chord progression for "Countdown", which is much more complex. At its core, "Countdown" is a variation of "Tune Up", [13] but the harmonic substitutions occur rapidly and trick the listener into thinking that they are listening to a completely unrelated tune. The ii, V and I remain, but in between are other ...
Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. Swing bands usually featured soloists who would improvise on the melody over the arrangement.
A Dixieland revival began in the United States on the West Coast in the late 1930s as a backlash to the Chicago style, which was close to swing. Lu Watters and the Yerba Buena Jazz Band, and trombonist Turk Murphy, adopted the repertoire of Joe "King" Oliver, Jelly Roll Morton, Louis Armstrong and W. C. Handy: bands included banjo and tuba in the rhythm sections.
"Begin the Beguine" is a show tune from Cole Porter's Broadway musical Jubilee, first recorded by Xavier Cugat and His Waldorf-Astoria Orchestra and popularized by Artie Shaw's recording in 1938. It is considerably longer than the average song of the time (104 bars instead of the usual 32 bar AABA form ).
This album was arranged by Nelson Riddle, and took a different tack after In the Wee Small Hours (1955), recording existing pop standards in a hipper, jazzier fashion, revealing an overall exuberance in the vein of Songs for Young Lovers and Swing Easy!. An additional track, "Memories of You", was recorded during the sessions but ultimately ...
"Minor Swing" is a gypsy jazz tune composed by Django Reinhardt and Stéphane Grappelli, first recorded by their group The Quintet of the Hot Club of France in 1937. It is considered to be one of Reinhardt's signature compositions, [ 2 ] as well as a jazz standard of the swing era .
"Donna Lee" was the first of four tunes recorded during the session and was recorded over four takes, the fourth being the master take. [ 2 ] Later in 1947 it was recorded for Decca by Claude Thornhill and his orchestra, which included Gil Evans , Lee Konitz , Gerry Mulligan , Sandy Siegelstein, Bill Barber, and Joe Shulman .