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The Hollies' Greatest Hits is a compilation of singles by the Hollies, released on Epic Records in April 1973. It includes hit singles by the group on both the Epic and Imperial labels over a time span of 1965 to 1971. It spent seven weeks on the Billboard 200 charts, peaking at number 156.
Hollies' Greatest/Vol. 2: Released: November 1972; Origin: UK; Label: Parlophone (PCS 7148) Format: stereo LP — 32 — The Hollies' Greatest Hits: Released: April 1973; Origin: North America; Label: Epic (KE 32061) Format: stereo LP — — 157 US: Gold [8] The History of The Hollies: 24 Genuine Top Thirty Hits: Released: November 1975 ...
It was the Hollies' highest charting album in the US, peaking at number eleven during a chart stay of forty weeks. [3] When Imperial was dissolved into United Artists Records in 1971, this album went out of print, prompting Epic (the group's then-current label) to issue its own "Greatest Hits" album two years later.
"Bus Stop" is a song recorded and released as a single by the British rock band the Hollies in 1966. It reached No. 5 in the UK Singles Chart. [6] It was the Hollies' first US top ten hit, [7] reaching No. 5 on the Billboard charts in September 1966. In Canada the song reached No. 1 and was their second top ten hit there.
Hollies' Greatest is the only number one album in the UK by British band the Hollies. It was released shortly before Graham Nash's departure from the Hollies and was intended to include all of their British hit singles with Nash, as well as filling in for the lack of an original LP by the group in 1968.
The Hollies' version was praised by Paul McCartney, who thought Graham Nash's soaring tenor in the chorus was a trumpet. [citation needed] Billboard described the song as a "pulsating number with driving dance beat." [4] After "I Can't Let Go" was recorded Haydock was replaced by Bernie Calvert, who played on the band's next single ("Bus Stop ...
"Here I Go Again" was written by Mort Shuman and Clive Westlake.It was recorded on 13 April 1964 at EMI Studios and released as a single a month later by Parlophone with the B-side "Baby That's All", written by the Hollies' Allan Clarke, Tony Hicks and Graham Nash under the pseudonym Chester Mann.
The Hollies had already planned to release a live album with Graham Nash in 1968, but the idea was not realised at the time. [1] The recording of the show for the Hollies Live Hits album was made during a number of shows in New Zealand in January 1976.