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There was a dispute as to whether this work was a Bosch autograph or a piece by the workshop until the Bosch Research and Conservation Project concluded it to be autograph based on evidence present in the underdrawing. [6] The Temptation of St. Anthony c. 1530–1540 Oil on wood 70 × 51 cm Museo del Prado, Madrid, Spain Bosch's authorship is ...
False Folio is the term that Shakespeare scholars and bibliographers have applied to William Jaggard's printing of ten Shakespearean and pseudo-Shakespearean plays together in 1619, the first attempt to collect Shakespeare's work in a single volume.
The Triptych of Temptation of St. Anthony is an oil painting on wood panels by the Early Netherlandish painter Hieronymus Bosch, dating from around 1501.The work portrays the mental and spiritual torments endured by Saint Anthony the Great (Anthony Abbot), one of the most prominent of the Desert Fathers of Egypt in the late 3rd and early 4th centuries.
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Bosch's religious beliefs are unknown, but interpretations of the work typically assume it is a warning against the perils of temptation. The outer panels place the work on the Third Day of Creation. The intricacy of its symbolism, particularly that of the central panel, has led to a wide range of scholarly interpretations over the centuries.
SISWG oversees work on the following standards: The base IEEE 1619 Standard Architecture for Encrypted Shared Storage Media uses the XTS-Advanced Encryption Standard (XEX-based Tweaked CodeBook mode (TCB) with ciphertext stealing (CTS); [1] the proper name should be XTC (XEX TCB CTS), but that acronym is already used to denote the drug ecstasy).
Jerome, 1605(Extract translation) in Bosch in Perspective, edited by James Snyder, 1973, USA Marianne Renson, Genealogical Information Concerning The Bronchorst Boschuysen triptych, 2001, Rotterdam Xavier, Duquenne, ≪ La famille Scheyfve et Jerome Bosch ≫, L’intermediaire des genealogistes, janvier-fevrier 2004, p. 1-19
St. Anthony the Abbot is portrayed in meditation, in a sunny landscape near the trunk of a dry tree. St. Anthony is a recurrent figure in Bosch's work, with up to 15 paintings of this subject, all inspired by legends told in the Golden Legend and in his Life by Athanasius of Alexandria. He is represented in a setting of solitude and temptation ...
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