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Sindhi folklore (Sindhi: لوڪ ادب) is composed of folk traditions which have developed in Sindh over many centuries.Sindh thus possesses a wealth of folklore, including such well-known components as the traditional Watayo Faqir tales, the legend of Moriro, the epic tale of Dodo Chanesar and material relating to the hero Marui, imbuing it with its own distinctive local colour or flavour in ...
Pages in category "Pakistani legendary creatures" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. B. Barmanou;
Chowk-poorana or Chowkpurana is folk art practised in Punjab, Haryana, Himachal Pradesh, Madhya Pradesh and Uttar Pradesh. [1] In Uttar Pradesh, the term chowk-poorana refers to decorating the floor with various designs using flour and rice [2] and also the walls using designs specific to the region.
In Haryana the most celebrated name is that of Deep Chand Bahman of village Khanda, Sonipat. He was popularly known as Shakespeare or Kalidas of Haryana. [3] He polished the style of Ali Bux and gave a new color to this folk art. The Saang of that time had two categories: (i) Kirtan Style and (ii) Nautanki Style. Deep Chand's style of ...
Sohni Mahiwal [a] (Punjabi: [soː(ɦ)ɳiː məɦĩʋaːl]) or Suhni Mehar [b] is a traditional Punjabi–Sindhi folk tragedy.Set in central Sindh or northern Punjab, depending upon the version of the tragedy, the folktale depicts the separation of two lovers and their tragic demise.
Folk song are sung during occasion of child birth, wedding, festival, and Satsang (singing religious songs). [2] Some haryanvi folk songs which are sung by young woman and girls are Phagan, katak, Samman, Jatki, Jachcha, Bande-Bandee, Santhene. Some songs which are sung by older women are Mangal geet, Bhajan, Sagai, bhat, Kuan pujan, Sanjhi and ...
They acted as hereditary bards, genealogists, and musicians. They performed at folk, qawwali, gurbani, melas at Sufi spaces in that period. Traditional lore, such as Heer Ranjha in the Bhairavi raga, were performed musically. Ragadari (raga) was evoked and employed by the Punjabi Mirasi, even if they lacked the precise technical knowledge of it ...
Umar Marvi [a] is a traditional Sindhi folktale dating back to the 14th century, and first penned by Shah Abdul Karim Bulri in the 16th century. It follows the story of a village girl Marvi, who resists the overtures of a powerful local ruler and the temptation to live in the palace as a queen, preferring to be in a simple rural environment with her own village folk.