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Mary Rowlandson's memoir, A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson, (1682) is a classic example of the genre. According to Nancy Armstrong and Leonard Tennenhouse, Rowlandson's captivity narrative was "one of the most popular captivity narratives on both sides of the Atlantic."
A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson (also known as The Sovereignty and Goodness of God) is a 1682 memoir written by Mary (White) Rowlandson, a married English colonist and mother who was captured in 1675 in an attack by Native Americans during King Philip's War. She was held by them for ransom for 11 weeks and 5 ...
Bianca Babb's unpublished memoir manuscript has received scholarly attention as a significant primary source captivity narrative. While the captivity narrative was a popular literary genre in 19th-century America, many examples were sensationalized accounts of questionable authenticity.
Narrative forms include: Autobiography – a detailed description or account of the storyteller's own life. Biography – a detailed description or account of someone's life. Captivity narrative – a story in which the protagonist is captured and describes their experience with the culture of their captors.
A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson is among the most frequently cited examples of a captivity narrative and is often viewed as an archetypal model. Because of Rowlandson's encounter with her Native American captors, her narrative is also interesting for its treatment of intercultural contact.
Captivity narratives became a new genre of literature that was born during this period due to the overwhelming number of accounts of Native American capture. The first edition of her captivity narrative was published without a title page in the Pennsylvania Gazette in December 1728. Samuel Keimer released an edited copy later in the same year.
Captivity narratives are tales of Europeans and Americans of European descent held captive by non-European peoples. The narratives were often written by the former captives themselves, or through an amanuensis. Captivity narratives are related to slave narratives
The development of slave narratives from autobiographical accounts to modern fictional works led to the establishment of slave narratives as a literary genre.This large rubric of this so-called "captivity literature" includes more generally "any account of the life, or a major portion of the life, of a fugitive or former slave, either written or orally related by the slave himself or herself". [4]