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Group of Four Trees is an abstract outdoor sculpture completed in 1972 by the French 20th-century artist Jean Dubuffet.Originally commissioned by the American banker and philanthropist David Rockefeller, the work measures 43 feet and is installed in the public plaza of 28 Liberty Street (formerly One Chase Manhattan Bank Plaza) between Nassau Street and Pine Street in Financial District ...
Tree roots in a sandy ground ('Les racines'), pencil, black chalk, brush in ink, brown and grey wash, opaque watercolour on watercolour paper, April–May 1882, Kröller-Müller Museum, Otterlo (F933, JH142).
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
Strictly speaking, it refers to art unconcerned with the literal depiction of things from the visible world [1] —it can, however, refer to an object or image which has been distilled from the real world, or indeed, another work of art. Artwork that reshapes the natural world for expressive purposes is called abstract; that which derives from ...
Organic Abstraction is an artistic style characterized by "the use of rounded or wavy abstract forms based on what one finds in nature." [1] It takes its cues from rhythmic forms found in nature, both small scale, as in the structures of small-growth leaves and stems, and grand, as in the shapes of the universe that are revealed by astronomy and physics. [2]
According to Trainor, Thomson was not satisfied with the picture, fearing that the flat abstract shapes of the foreground rocks and trees were inconsistent with the atmospheric conception of the background. [10] Thomson's colleague J. E. H. MacDonald felt similarly, describing the painting as "faulty and inconsistent."
Vincent van Gogh painted at least 15 paintings of olive trees, mostly in Saint-Rémy-de-Provence in 1889. At his own request, he lived at an asylum there from May 1889 through May 1890 painting the gardens of the asylum and, when he had permission to venture outside its walls, nearby olive trees, cypresses and wheat fields.
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