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The fallacy of accent (also known as accentus, from its Latin denomination, and misleading accent [1]) is a verbal fallacy that reasons from two different vocal readings of the same written words. In English, the fallacy typically relies on prosodic stress , the emphasis given to a word within a phrase, or a phrase within a sentence.
For example, prosody is responsible for verbal variations in interrogative versus declarative statements and serious versus sarcastic remarks. Linguistic dysprosody refers to the diminished ability to verbally convey aspects of sentence structure, such as placing stress on certain words for emphasis or using patterns of intonation to reveal the ...
An example of lexical prosody would be "CONvert" versus "conVERT". Phrasal prosody: aprosodia affecting certain stressed words. Deficits in the left hemisphere affect this linguistic rule. An example of phrasal prosody would be a "Hot DOG", a dog that’s hot, versus a "HOT dog", a frankfurter.
For example, green house and greenhouse differ in that the second word loses stress in the latter, and generally this type of semantic combination exhibits this prosodic pattern. There are many ways that prosody marks how words combine into phrases, often marked primarily at the phrase boundaries.
The use of proper prosody can increase intelligibility, make it easier for listeners to understand the speaker. This is true across languages. In English, word stress is less important than tone in Mandarin, but is still essential for full intelligibility. The use of proper prosody also affects listeners’ judgments of proficiency, and competence.
Fallacy of accent – changing the meaning of a statement by not specifying on which word emphasis falls. Persuasive definition – purporting to use the "true" or "commonly accepted" meaning of a term while, in reality, using an uncommon or altered definition. (cf. the if-by-whiskey fallacy)
The “accent,” according to Eliza Jane Schneider, a dialectologist and CEO of Vox Pop Entertainment and Competitive Edge Voice Training, is a matter of musicality, that is the “musical ...
Prosodic units do not generally correspond to syntactic units, such as phrases and clauses; it is thought that they reflect different aspects of how the brain processes speech, with prosodic units being generated through on-line [definition needed] interaction and processing, and with morphosyntactic units being more automated.