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Arophobia; Acephobia; Adultism; Anti-albinism; Anti-autism; Anti-homelessness; Anti-drug addicts; Anti-intellectualism; Anti-intersex; Anti-left handedness; Anti-Masonry
At least in the United States, the principle of caveat emptor ("let the buyer beware") was held for many years to govern sales. As the idea of an implied warranty of habitability began to find purchase, however, issues like the stigma attached to a property based on acts, "haunting", or criminal activity began to make their way into legal precedents.
In geometric optics, stigmatism refers to the image-formation property of an optical system which focuses a single point source in one phase optics space [clarification needed] into a single point in image space. Two such points are called a stigmatic pair of the optical system.
Stigma, a film featuring Philip Michael Thomas; Stigma, originally broadcast as part of the BBC's Ghost Story for Christmas series; Stigma, a Nigerian drama film "Stigma" (Star Trek: Enterprise), a 2003 second-season episode of Star Trek: Enterprise
Sexual stigma is a form of social stigma against people who are perceived to be non-heterosexual because of their beliefs, identities or behaviors. Privileged individuals, or the majority group members, are the main contributors of placing sexual stigmas on individuals and their minority group. [1]
This is an accepted version of this page This is the latest accepted revision, reviewed on 18 December 2024. Appearance of wounds corresponding to the crucifixion wounds of Jesus For other senses of this word, see Stigma and stigmata (disambiguation). Not to be confused with Stigmatism. Hands with stigmata, depicted on a Franciscan church in Lienz, Austria St Catherine fainting from the ...
Louise Lateau. Louise Lateau (born 29 January 1850 at Bois-d'Haine, in Belgium, died on 25 August 1883 at Bois-d'Haine) was a mystic and stigmatist. [1]The case of Louise Lateau is one of the best documented of those who received the stigmata.
Giotto, Saint Francis Receiving the Stigmata, c. 1295–1300. Louvre, Paris. The small Philadelphia panel is painted with oil on parchment (); [15] a reconstructed red vermilion border surrounds the image – it is similar to those seen in contemporary illuminated manuscripts.