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Together with Daniel Maclise, Paton was a folklore expert; [11] according to Christopher Wood, an expert in Victorian art, [12] Maclise and Paton were the only artists working in the genre of fairy paintings with expertise in folklore. [11] Paton's knowledge of Celtic legends and Scottish folklore is reflected in his paintings. [9]
The Quarrel of Oberon and Titania is an oil on canvas painting by the Scottish artist Sir Joseph Noel Paton.Painted in 1849, it depicts the scene from William Shakespeare's comedy play A Midsummer Night's Dream, when the fairy queen Titania and fairy king Oberon quarrel; Oberon was considered the King of the fairies in medieval and Renaissance literature.
His work, a series of Christmas-themed fairy illustrations, received wider public visibility in the Illustrated London News. The Scottish artist Joseph Noel Paton exhibited two immensely detailed paintings, The Quarrel of Oberon and Titania and The Reconciliation of Titania and Oberon, based on the popular fairy scenes of A Midsummer Night's Dream.
According to folklorist and scholar Katharine Briggs the Ghillie Dhu was a gentle and kind-hearted mountain spirit, [5] or a "rather unusual nature fairy." [6] The Ghillie Dhu was an individual male modern day fairy described by Osgood Mackenzie, a Scottish landowner and horticulturist, in his memoirs that were published in 1921.
In hospital, Dadd was encouraged to continue painting, and in 1852 he created a portrait of one of his doctors, Alexander Morison, which now hangs in the Scottish National Portrait Gallery. Dadd painted many of his masterpieces in Bethlem and Broadmoor, including The Fairy Feller's Master-Stroke , which he worked on between 1855 and 1864.
The first 15 paintings to be auctioned include work by the Glasgow Boys and the Scottish Colourists. Paisley Art Institute sells a quarter of its collection after museum row Skip to main content
George Heriot (1563–1624), Scottish goldsmith and jeweler; George Jamesone (or Jameson, c. 1587–1644), Scotland's first eminent portrait painter; David Paton, active 1660–1700, painter of miniatures; François Quesnel (c. 1543–1619), Scotland-born French painter; John Michael Wright (1617–1694), portrait painter in the Baroque style
Duncan was a member of the Scottish Arts Club and served as its President. [8] His last major work was entitled Mary Queen of Scots at Fotheringhay (dated 1929). The work was commissioned and is now held by the University of St Andrews. [2] The painting was completed in spite of the critical antagonisms Duncan was facing at the time.
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