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[1] [2] Chinese symbols often have auspicious meanings associated to them, such as good fortune, happiness, and also represent what would be considered as human virtues, such as filial piety, loyalty, and wisdom, [1] and can even convey the desires or wishes of the Chinese people to experience the good things in life. [2]
The Four Symbols are mythological creatures appearing among the Chinese constellations along the ecliptic, and viewed as the guardians of the four cardinal directions. These four creatures are also referred to by a variety of other names, including " Four Guardians ", " Four Gods ", and " Four Auspicious Beasts ".
Chinese mythology holds that the Jade Emperor was charged with running of the three realms: heaven, hell, and the realm of the living. The Jade Emperor adjudicated and meted out rewards and remedies to saints, the living, and the deceased according to a merit system loosely called the Jade Principles Golden Script (玉律金篇, Yù lǜ jīn piān
The Four Holy Beasts (四靈、四聖獸、or 四大神獸) are Chinese astronomical and cultural Four Benevolent Animals that are spread in the East Asian cultural sphere. They are mentioned in the Chinese classic Book of Rites [ 1 ] and includes the Dragon (龍) in the East, the Qilin (麟) in the West, the Turtle (龜) in the North, and the ...
Li Tieguai (Chinese: 李鐵拐; lit. 'Iron Crutch Li') is a figure in Chinese folklore and one of the Eight Immortals in the Taoist pantheon. He is sometimes described as irascible and ill-tempered, but also benevolent to the poor, sick and the needy, whose suffering he alleviates with special medicine from his bottle gourd.
Chinese creation myths are symbolic narratives about the origins of the universe, earth, and life. Myths in China vary from culture to culture. In Chinese mythology, the term "cosmogonic myth" or "origin myth" is more accurate than "creation myth", since very few stories involve a creator deity or divine will.
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The nine sons of the dragon is a traditional name for a set of mythological creatures whose imagery is used in certain types of decorations. The concept was first mentioned by Lu Rong in the Ming Dynasty, although similar set of creatures (not necessarily nine) is recorded even earlier.