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4 Little Dream Songs is a series of 4 pieces for solo classical guitar, composed by Takashi Yoshimatsu in 1993. It was written as a supplement to the composer's Tender Toys works and consists of transcriptions for guitar and harmonica of various melodies which were used in broadcasts and stage plays.
Cross-note tunings include (low to high): Cross-note A: E-A-E-A-C-E Alternative: E-A-C-E-A-E [16] [17] Cross-note C: C-G-C-G-C-E ♭ C-C-G-C-E ♭-G, a cross-note overtones tuning; C-C-G-C-E ♭-A ♭ a cross-note overtones tuning that facilitates seventh chords. Cross-note D: D-A-D-F-A-D (used by John Fahey on the song "Red Pony")
Early funk music often delayed one of the backbeats so as "to give a 'kick' to the [overall] beat". [18] Some songs, such as The Beatles' "Please Please Me" and "I Want to Hold Your Hand", The Knack's "Good Girls Don't" and Blondie's cover of The Nerves' "Hanging on the Telephone", employ a double backbeat pattern. [22]
Tunings are described by the particular pitches that are made by notes in Western music. By convention, the notes are ordered and arranged from the lowest-pitched string (i.e., the deepest bass-sounding note) to the highest-pitched string (i.e., the highest sounding note), or the thickest string to thinnest, or the lowest frequency to the ...
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
"High in Low Places" was written by Nick Santino, Alex Silverman, Sean Silverman and Reeve Powers and Kevin Fisher. Production was handled by members of the band as well as from Damien Leclaire, Robert Adam Stevenson and Ryan Gose. [4] The track is described as alternative rock, featuring groovy basslines, shimmering guitar chords and soothing ...
To build chords, Fripp uses "perfect intervals in fourths, fifths and octaves", so avoiding minor thirds and especially major thirds, [26] which are sharp in equal temperament tuning (in comparison to thirds in just intonation). It is a challenge to adapt conventional guitar-chords to new standard tuning, which is based on all-fifths tuning. [27]
First song(s) Second song(s) Producer(s) Album(s) Peak chart position(s) Year Ref. "212 vs. Bust a Move" "212" (Azealia Banks) "Bust a Move" The Outfit More from Pitch Perfect: 2012 "All You Need Is Love / She Loves You" † "All You Need Is Love" (The Beatles) "She Loves You" (The Beatles) Adam Anders and Peer Astrom: Glee Sings the Beatles