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By 2008, all-plastic needles were in production and in limited use. One version was made of Vectra (plastic) aromatic liquid crystal polymer tapered from 1.2 mm at the hub to 0.72 mm at the tip (equivalent to 22 gauge metal needle), with an ID/OD ratio of 70%. [16]
Platinum (1986): The Panaflex Platinum is a sync-sound 35 mm motion picture camera, intended as the replacement for the Gold and Gold II series of cameras. [citation needed] It is capable of 4–36 fps forward and reverse in 1 ⁄ 10 frame increments, and is crystal-controlled at all speeds. It has a focal-plane shutter which can be adjusted ...
Micro Cinema Camera: 12.48 x 7.02 mm CMOS 2.88 MFT: SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops Rolling None None 23.98 - 60 [35] Blackmagic: Pocket Cinema Camera [32] 12.48 x 7.02 mm CMOS 2.88 MFT: SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native)
It is more accurately known as the M42 × 1 mm standard, which means that it is a metric screw thread of 42 mm diameter and 1 mm thread pitch. (The M42 lens mount should not be confused with the T-mount , which shares the 42 mm throat diameter, but differs by having a 0.75 mm thread pitch.)
Panavision Inc. is an American motion picture equipment company founded in 1954 specializing in cameras and lenses, based in Woodland Hills, California.Formed by Robert Gottschalk as a small partnership to create anamorphic projection lenses during the widescreen boom in the 1950s, Panavision expanded its product lines to meet the demands of modern filmmakers.
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For example, a 100 mm to 400 mm lens may have a maximum aperture of f/4.0 at the 100 mm end but will diminish to only f/5.6 at the 400 mm end of the zoom range. Zoom lenses with constant maximum apertures (such as f/2.8 for a 24–70mm lens) are usually reserved for lenses with higher build quality and are thus more expensive than those with ...
All System 65 telephoto lenses (i.e. 300 mm, 400 mm, 500 mm) were converted Canon telephotos. In the wake of the box office failure of the first Panavision System 65/Super 70 feature Far and Away , combined with the fact that 35 mm digital surround sound had arrived and minimized the multi-channel sound advantage the 70 mm format had, meant ...