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Steven Bruhm (1994) Gothic Bodies: The Politics of Pain in Romantic Fiction. Philadelphia: University of Pennsylvania Press. Gary Crawford (1986) "Criticism" in J. Sullivan (ed) The Penguin Encyclopedia of Horror and the Supernatural. Ann Radcliffe (1826) "On the Supernatural in Poetry" in The New Monthly Magazine 7, 1826, pp 145–52.
Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...
The emergence of the "ab-human" in American gothic fiction was closely coupled with the emergence of Charles Darwin's theories of evolution. [5] Ideas of evolution or devolution of a species, new biological knowledge, and technological advancement created a fertile environment for many to question their essential humanity.
Southern Gothic particularly focuses on the South's history of slavery, racism, fear of the outside world, violence, a "fixation with the grotesque, and a tension between realistic and supernatural elements". [4] Similar to the elements of the Gothic castle, Southern Gothic depicts the decay of the plantation in the post-Civil War South. [4]
Gothic fiction (sometimes referred to as Gothic horror or Gothic romanticism) is a genre of literature that combines elements of both horror fiction and romanticism Contents: Top
The themes and concepts of Monster Literature are rooted in 18th century Gothic literature. The earliest examples of Gothic literature can be traced all the way back to English author Horace Walpole's novel The Castle of Otranto (1764). [1] However, monster literature first emerged in the 19th century with the release of Mary Shelley's ...
The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish ...