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A false dichotomy is an informal fallacy consisting of a supposed dichotomy which fails one or both of the conditions: it is not jointly exhaustive and/or not mutually exclusive. In its most common form, two entities are presented as if they are exhaustive, when in fact other alternatives are possible.
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Manifest functions are the consequences that people see, observe or even expect. It is explicitly stated and understood by the participants in the relevant action. The manifest function of a rain dance, according to Merton in his 1957 Social Theory and Social Structure, is to produce rain, and this outcome is intended and desired by people participating in the ritual.
Other examples include Samuel Johnson's The History of Rasselas, Prince of Abissinia (1759) and Samuel Butler's Erewhon (1872), which uses an anagram of "nowhere" as its title. [2] [5] This, like much of utopian literature, can be seen as satire; Butler inverts illness and crime, with punishment for the former and treatment for the latter. [5]
Dichotomy paradox: To reach its target, an airborne arrow must first reach an infinite number of midpoints between its current position and the target. Elevator paradox : Even though hydrometers are used to measure fluid density, a hydrometer will not indicate changes of fluid density caused by changing atmospheric pressure.
It is common in many works of Literature. For example, in The Pearl by John Steinbeck, a clear contrast is drawn between the Lower Class and the Upper Class residents of the society presented in the text. The Lower Class citizens live in brush houses, their economic activity is fishing and are sociable.
The dichotomy is used to discuss and evaluate the extent to which a historical development or event represents a decisive historical change or whether a situation remains largely unchanged. A good example of this discussion is the question of how much the Peace of Westphalia in 1648 represents an important change in European history .
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]