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This was the first time such products were available outside of the movie industry. Max continued to be a driving force behind make-up until his death in 1938. In 1991, his company became a part of the Procter & Gamble family. [4] In the 1920s, different products were also developed that showed the decade's preoccupation with shaping the mouth. [3]
Flapper inspired makeup will finish the look. More on AOL: Haunting history of Halloween The 50 best celebrity If you don't have a feathery headband to pull over your pincurls, try a scarf.
The Face of the Century: 100 Years of Makeup and Style. Rizzoli. ISBN 978-0-8478-1895-2.. Dumenil, Lynn (1995) The Modern Temper: American Culture and Society in the 1920s. New York: Hill and Wang. ISBN 978-0-8090-1566-5; Fass, Paula S. (2007) The Damned and the Beautiful: American Youth in the 1920s. 2007. ISBN 978-0-19-502492-0
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After emigrating to the United States from his native Greece as a teenager, Pierce tried his hand at several careers, including a stint as an amateur baseball player.. In the 1920s, Pierce embarked on a series of jobs in cinema—cinema manager, stuntman, actor, even assistant director—which would eventually lead to his mastery of the field of makeup.
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Elsa Luisa Maria Schiaparelli was born at the Palazzo Corsini, Rome. [8] Her mother, Giuseppa Maria de Dominicis, [9] was a Neapolitan aristocrat. [10] Her father, Celestino Schiaparelli, a Piedmontese, was an accomplished scholar with multiple areas of interest. [11]
Adrian was a popular designer for Metro-Goldyn-Mayer during the 1920s-1930s, dressing silent film actresses including Clara Bow, Norma Shearer, Greta Garbo and Joan Crawford: which influenced American women's fashion. [11] This style exposed areas that were previously hidden on the woman, including the knees, as stockings were no longer compulsory.