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"After the Dance" is a slow jam recorded by singer Marvin Gaye and released as the second single off Gaye's 1976 hit album I Want You. Though it received modest success, the song was widely considered to be one of Gaye's best ballads [1] and served as part of the template for quiet storm and urban contemporary ballads that came afterwards. [2]
"After You" is a song by American DJs and producers Gryffin and Jason Ross, featuring vocals from Swedish singer-songwriter Calle Lehmann. It was released on October 27, 2021, via Darkroom. [ 2 ] The song was written by Gryffin, Carl Lehmann, Hannes Roovers and Isac Hördegård.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
"After Hours" is a song by American singer-songwriter Kehlani. It was released through Atlantic Records as the lead single from her fourth studio album, Crash , on April 4, 2024. [ 1 ] The song was produced by Alex Goldblatt and Khris Riddick-Tynes. [ 2 ]
"You Came" is a song by English singer Kim Wilde from her sixth studio album, Close (1988). It was released on 4 July 1988 as the album's second single. [ 1 ] The song was written by Wilde and her brother Ricky Wilde , after the birth of his first child, Marty (named after their father ).
"Last Dance" is a song by American singer Donna Summer from the soundtrack album to the 1978 film Thank God It's Friday. [1] It was written by Paul Jabara , co-produced by Summer's regular collaborator Giorgio Moroder and Pete Bellotte, and mixed by Grammy Award -winning producer Stephen Short , whose backing vocals are featured in the song.
After Shaw introduced the song to dance halls, Metro-Goldwyn-Mayer released the musical film Broadway Melody of 1940. The song is one of its musical numbers, first sung in dramatic style by mezzo-soprano Lois Hodnott on a tropical set, with Eleanor Powell and Fred Astaire dancing in flamenco choreography. It is continued in the then ...
I just separated it. 'You raise your left arm up, and your right arm too.' When you're doing the funky chicken you use both arms. You don't just use one. It just happened I separated it. Then I put a little rhythm in between it. The same pattern that you heard on 'The Dog' is here on 'The Funky Chicken' but it is cut in half. That's how it came ...