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In Christianity, the Biblical Magi [a] (/ ˈ m eɪ dʒ aɪ / MAY-jy or / ˈ m æ dʒ aɪ / MAJ-eye; [1] singular: magus), also known as the Three Wise Men, Three Kings, and Three Magi, [b] are distinguished foreigners who visit Jesus after his birth, bearing gifts of gold, frankincense, and myrrh in homage to him. [2]
The Shrine of the Three Kings in Cologne Cathedral Another view Shrine of the Three Kings Köln The Shrine of the Three Kings [1] (German Dreikönigsschrein [2] or Der Dreikönigenschrein), [3] Tomb of the Three Kings, [4] or Tomb of the Three Magi [5] is a reliquary traditionally believed to contain the bones of the Biblical Magi, also known as the Three Kings or the Three Wise Men.
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The Adoration of the Magi (Italian: Adorazione dei Magi) is a painting by the Italian Renaissance master Sandro Botticelli. Botticelli painted this piece for the altar in Gaspare di Zanobi del Lama's chapel in Santa Maria Novella around 1475. [1] [2] This painting depicts the Biblical story of the Three Magi following a star to find the newborn ...
The work depicts the Adoration of the Magi, with the three Magi presenting their gifts to the Christ Child: the elderly Caspar kneeling, the middle aged Melchior bowing to the left, and the white-robed Balthazar standing to the right, all dressed richly but somewhat disheveled from their long journey. The gold detailing on Caspar's robe depicts ...
Gerard David, Adoration of the Kings, National Gallery, London, circa 1515 Adoration of the Magi, Gentile da Fabriano, 1423. The Adoration of the Magi or Adoration of the Kings or Visitation of the Wise Men is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star ...
The magi are thus shown twice, once in the foreground and again in miniature in the background, arriving with their retinue from Africa, Europe and Asia. An x-ray examination of the underdrawing shows that originally the European retinue of Melchior had him riding a horse and this was later changed to a dromedary.
The figure in black and white, behind the Magi and holding a falcon, may be a portrait of Piero de' Medici. There were several other important images of the Magi made for the Medici, apart from these and those in the palace chapel. The 1492 inventory lists four paintings, three probably from the period of Cosimo.