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Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Printable sheet music primarily for singers and voice teachers—most downloadable. Emphasis on standard classical and traditional repertoire. IPA transcriptions available for every German, French, Italian and Latin song in the index. Supplementary information on more than 250 songs. ART SONG CENTRAL: The Ashford Sheet Music Collection
Sheet music for the song "Oregon, My Oregon" Sheet music can be used as a record of, a guide to, or a means to perform, a song or piece of music. Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use ...
We raise this song in cheer: [chorus: repeat twice] Good morning, Mister Zip-Zip-Zip, With your hair cut just as short as mine, Good morning, Mister Zip-Zip-Zip, You're surely looking fine! Ashes to ashes, and dust to dust, If the Camels don't get you, The Fatimas must, Good morning, Mister Zip-Zip-Zip, With your hair cut just as short as,
Music Is Better Than Words is the debut studio album by American actor and singer Seth MacFarlane. [1] The album contains songs from the Great American Songbook, and features standards by Rodgers and Hammerstein and Lerner and Loewe, among other 1940s and ’50s-era show tunes. [2] The album features duets with Norah Jones and Sara Bareilles. [3]
"Better Man" is a song by the American rock band Pearl Jam. It is the eleventh track on the band's third studio album, Vitalogy (1994). The song was written by vocalist Eddie Vedder. Despite the lack of a commercial single release, "Better Man" reached the top of the Billboard Album Rock Tracks chart
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This song was recorded by Gene Austin on February 23, 1929 (Victor 21893), peaking on the US charts at #8. [2] It was covered by Steve Gibson in 1948 and by The Four Aces in 1954. [ 3 ] It is one of the tracks on Gene Vincent 's 1956 debut album Bluejean Bop ( Capitol T764).