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Feminist art often contains personal and political elements that are unique to each individual. There have been erroneous theories on the nature of feminist art. [6] Lucy R. Lippard stated in 1980 that feminist art was, "neither a style nor a movement but instead a value system, a revolutionary strategy, a way of life."
Judy Dater uses photography as an instrument for challenging traditional conceptions of the female body. Her early work paralleled the emergence of the feminist movement and her work became strongly associated with it. At a time when female frontal nudity was considered risqué Dater pushed the boundaries by taking pictures of the naked female ...
In the late twentieth century, the second wave feminist movement in the United States and the gay liberation movement following the Stonewall riots inspired efforts to create a cohesive lesbian identity with dedicated cultural artifacts such as explicitly lesbian art, including lesbian photography. These images developed new artistic trends ...
Judy Seigel (1930–2017) was an American painter and photographer, writer and editor, and feminist activist in New York City.Called a legend in alternative photographic processes, Seigel taught photography at the Pratt Institute for fourteen years.
Vera Elkan (1908–2008), remembered for her images of the International Brigades in the Spanish Civil War; Phumzile Khanyile (born 1991) Constance Stuart Larrabee (1914–2000), South African's first female World War II correspondent, also known for images of South Africa; Carla Liesching (born 1985), visual artist specialising in photography
Laurie Simmons, First Bathroom/ Woman Standing, 1978. Laurie Simmons (born 1949) is an American artist best known for her photographic and film work. [1] [2] Art historians consider her a key figure of The Pictures Generation and a group of late-1970s women artists that emerged as a counterpoint to the male-dominated and formalist fields of painting and sculpture.
Wilke first gained renown with her "vulval" terra-cotta sculptures in the 1960s. [15]Her sculptures, first exhibited in New York in the late 1960s, are often mentioned as some of the first explicit vaginal imagery arising from the women's liberation movement, [15] and they became her signature form which she made in various media, colors and sizes, including large floor installations ...
From the 1960s through the 1980s, her work appeared in such publications as Life, The New York Times, and The Boston Globe. [4] Davies aligned herself with the Gay Liberation Front and contributed images to Come Out!, a magazine published by the GLF. [6] She documented the first [Pride Parade] in New York City on 28 June 1970. [7]