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The 400 Blows (French: Les quatre cents coups) is a 1959 French coming-of-age drama film, [3] and the directorial debut of François Truffaut, who also co-wrote the film. Shot in the anamorphic format DyaliScope, the film stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. One of the defining films of the French New Wave, [4] it ...
Truffaut's debut was the film The 400 Blows. The 1959 film introduces us to the 14-year-old Doinel, a troubled Parisian boy who skips school, eventually turning to street life and petty crime in response to neglect at home by his parents. Towards the end of the film, he is sent to a reform school, from which he escapes to places unknown.
The Pornographer (2001) Jean-Pierre Léaud, ComM (French: [ʒɑ̃pjɛʁ le.o]; born 28 May 1944) is a French actor best known for being an important figure of the French New Wave and his portrayal of Antoine Doinel in a series of films by François Truffaut, beginning with The 400 Blows (1959). He has worked with Jean-Luc Godard, Agnès Varda ...
400 Blows is a Los Angeles –based band, formed in 1997, and signed to Gold Standard Laboratories. The group's sound incorporates elements of hardcore punk and heavy metal, and their live shows have been noted for their ferocity. [1] After 3.19.98 in 1999, [2] in 2000 the band released Black Rainbow, and their third LP was 2006's Angel's ...
The 400 Blows marked the beginning of the French New Wave movement, which gave directors such as Jean-Luc Godard, Claude Chabrol and Jacques Rivette a wider audience. The New Wave dealt with a self-conscious rejection of traditional cinema structure. This was a topic on which Truffaut had been writing for years.
History. 400 Blows was formed in Croydon, South London by Edward Beer in 1981 along with two friends, Alexander Fraser and Rob. Their debut single was released on their own Concrete Productions record label in 1982. In 1983, they were signed to the Illuminated label and subsequently released an album, "...if I kissed her I'd have to kill her ...
Along with films such as Breathless (1960) and The 400 Blows (1959), Hiroshima mon amour brought international attention to the new movement in French cinema and is widely considered to be one of the most influential films of the French New Wave. In particular, it was a major catalyst for Left Bank Cinema.
The film focuses the success of The 400 Blows and Breathless, the role of Jean-Pierre Léaud in both Truffaut and Godard's films, and the directors' fascination with American film. Two in the Wave ends with the 1973 incident between Godard and Truffaut; Godard wrote a letter to Truffaut criticizing his Oscar-winning film Day for Night.
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