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"Quiet Village" is an orchestral pop instrumental that was written and originally performed by Les Baxter in 1951 and an instrumental album from 1959 by Martin Denny. In the liner notes to his album, Ritual of the Savage (Le sacre du sauvage) , Baxter described the themes he was conveying in the work: [ 1 ]
Quiet Village: The Exotic Sounds of Martin Denny is the eighth studio album by Martin Denny.Released in the summer of 1959, the monophonic version of the album (LRP 3122) reached No. 21 on the Billboard monophonic album chart in November 1959, [2] and the stereophonic version (LST 7122) reached No. 12 on the magazine's stereophonic album chart in January 1960.
Exotica is the first album by Martin Denny, released in 1957.It contained Les Baxter's most famous piece, "Quiet Village", and spawned an entire genre bearing its name.It was recorded December 1956 in Webley Edwards' studio in Waikiki (not, as often reported, the Aluminum Dome at Henry J. Kaiser's Hawaiian Village Complex).
The Exotica album was recorded in December 1956 and released in 1957. In 1958, Dick Clark hosted Denny on American Bandstand. "Quiet Village" reached #2 on Billboard's charts in 1959 with the Exotica album [11] reaching #1. He rode the charts of Cashbox and Variety also. Denny had as many as three or four albums on the charts simultaneously ...
The album features the track, "Quiet Village", which peaked at No. 1 on the Hot Dance/Disco chart along with songs "African Queens" and "Summer Dance". "Quiet Village" also peaked at No. 68 on the Hot Soul Singles chart.
"Miles Away" is a song by John Foxx, released as a single in October 1980. It was his fourth solo single, following " Burning Car " in July that year. The track was not included on any original album, falling roughly midway between the release of Foxx's debut LP Metamatic in January 1980 and his second album The Garden in September 1981.
74 Miles Away is an album by jazz saxophonist Cannonball Adderley recorded "live" before an invited audience at Capitol Studios in Hollywood, California in 1967, and features performances by Adderley with Nat Adderley, Joe Zawinul, Victor Gaskin and Roy McCurdy. Following these sessions, it would be almost a year before Cannonball Adderley ...
But the nagging portrait of Roney as a Miles imitator lingers". [3] In The Washington Post, Geoffrey Himes wrote that "on Village, drummer Lenny White and bassist Clarence Seay keep prodding and provoking the soloists by inserting abrupt rolls, loud bursts, pauses and even time changes into the mix. And in the heady ensemble sections, Roney's ...