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As numerous British rock bands of the mid-1960s began to adopt a mod look and following, [22] the scope of the subculture grew beyond its original confines and the focus began to change. By 1966, proletarian aspects of the scene in London had waned as fashion and pop-culture elements continued to grow, not only in England, but elsewhere.
False eyelashes were worn by women throughout the 1960s. Hairstyles were a variety of lengths and styles. [2] Psychedelic prints, neon colors, and mismatched patterns were in style. [3] US First Lady Jacqueline Kennedy arrives in Venezuela, 1961. In the early-to-mid 1960s, London "Modernists" known as Mods influenced male fashion in Britain. [4]
Those who took part in the movement were known by various names, notably dandies, [7] [3] as well as variations like urban dandies [8] and dandy mods. [9] In the 1960s, terms such as "soft mod" or "peacock mod" were commonplace, to contrast from the more aggressive and rude boy influenced "hard mods" who would morph into the skinhead subculture ...
The mod and rude boy cultures both influenced the skinhead subculture of the late 1960s. The skinheads were a harder, more working class version of mods who wore basic clean-cut clothing styles and favoured ska, rocksteady, soul and early reggae music. The disco scene originated in the 1960s, with discothèques such as the Whisky a Go Go and ...
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In the mid-1960s fashion in Britain was becoming increasingly daring and outrageous, driven by the youth-oriented culture of Swinging London. Boutiques such as Biba, designers like Mary Quant, and the television personalities like Cathy McGowan who popularised them became celebrated as much as the entertainers who wore their mod clothes.
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