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Night and day my blood it drains My heart to death it aches. I have loved all this past year So that I may love no more; I have sighed many a sigh, Beloved, for thy pity, My love is never thee nearer, And that me grieveth sore; Sweet loved-one, think on me, I have loved thee long. Sweet loved-one, I pray thee, For one loving speech;
The poem is written in iambic tetrameter and iambic trimeter. In the poem, the speaker narrates a night time ride to the cottage of his beloved Lucy , who always looks as "fresh as a rose in June". The speaker begins by saying that he has experienced "strange fits of passion" and will recount them only to another lover ("in the Lover's ear ...
"Now Sleeps the Crimson Petal" is a poem written by Alfred Tennyson. It is like a sonnet in having fourteen iambic lines, but it is not rhymed (except that the word "me" is repeated at the ends of key lines), and it does not follow either the Shakespearean or Petrarchan organization.
'Twas the Night Before Christmas History The poem, originally titled A Visit or A Visit From St. Nicholas , was first published anonymously on Dec. 23, 1823, in a Troy, New York newspaper called ...
Illustration for Longfellow's poem "Excelsior" from an 1846 collection. The poem was included in Ballads and Other Poems (1842), which also included other well-known poems such as "The Wreck of the Hesperus" "Excelsior" is a short poem written in 1841 by American poet Henry Wadsworth Longfellow.
Related: 'Neil the Seal' Is Causing Chaos and Total Delight in Tasmania "The seal and the sausage sounds like a lovely story," agreed commenter @mademoisellecollecteur. It should be a children's book!
The character, Mattie Silver, from Ethan Frome (1911), has few life skills but can recite "Curfew shall not ring to-night." [10] Three silent films were made based on the poem. For two of the films, the title was modified to Curfew Shall Not Ring Tonight. No sound version has been made, but later 20th century films referred to this poem.
The poem begins: A slumber did my spirit seal; I had no human fears: She seemed a thing that could not feel The touch of earthly years. (lines 1–4) The second stanza maintains the quiet, even tone of the first, but serves to undermine the former's sense of the eternal by revealing that Lucy has, by the time of composition, died.