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"Against All Odds" 1996 The Don Killuminati: The 7 Day Theory — Hurt-M-Badd, Makaveli "Against All Odds" 2007 Life Goes On: Trae: Q-Stone "Ain't Hard 2 Find" 1996 All Eyez on Me: E-40, B-Legit, C-Bo, Richie Rich: Mike Mosley, Rick Rock Cassius Roman Tikhon Shepelev Tyler Metzger "All Bout U" 1996 All Eyez on Me
Tupac Shakur: Shakur's "Hit 'Em Up" [77] 1996 "The Bitch in Yoo" Common: Ice Cube, Mack 10 and WC: The trio's earlier track "Westside Slaughterhouse" "Westside Slaughterhouse" was itself a response to Common's 1994 song, "I Used to Love H.E.R.", in which Common criticized gangster rappers. [59] Sep 26, 1996 "Against All Odds" Tupac Shakur
Against All Odds (Curtis Lundy album), 1999; Against All Odds, a 2000 album by Take 5; Against All Odds (Tragedy Khadafi album), 2001; Against All Oddz (Lethal Bizzle album), 2005; Against All Oddz (Young Noble and E.D.I. album), 2006; Against All Odds (N-Dubz album), 2009; Against All Odds, a 2009 album by aKING; Against All Odds, 2020 EP by ...
Tupac Amaru Shakur (/ ˈ t uː p ɑː k ʃ ə ˈ k ʊər / ⓘ; born Lesane Parish Crooks; June 16, 1971 – September 13, 1996), also known by his stage names 2Pac and Makaveli, was an American rapper and actor. He is regarded as one of the greatest and most influential rappers of all time.
All Eyez on Me is the fourth studio album by American rapper 2Pac and the final to be released during his lifetime. Released on February 13, 1996, just 7 months before his death by Death Row and Interscope Records with distribution handled by Polygram, the album features guest appearances from Dr. Dre, Snoop Doggy Dogg, Redman, Method Man, Nate Dogg, Kurupt, Daz Dillinger, E-40, K-Ci & JoJo ...
The Tupac movie, "All Eyez on Me," highlights the rapper's rise to fame and dealings in the East Coast-West Coast hip hop rivalry. The film is named after Tupac's 1996 album "All Eyez on Me."
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Strictly 4 My N.I.G.G.A.Z... received generally positive reviews from music critics.In The New Rolling Stone Album Guide book, Greg Tate saw 2Pac "comes with a sense of drive, and eruptive, dissident, dissonant fervour worthy of Fear of a Black Planet and AmeriKKKa's Most Wanted", and called it Shakur's "best constructed and most coherent album, and it's also his most militantly political". [7]