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The term millefiori is a combination of the Italian words "mille" (thousand) and "fiori" (flowers). [1] Apsley Pellatt in his book Curiosities of Glass Making was the first to use the term "millefiori", which appeared in the Oxford English Dictionary in 1849; prior to that, the beads were called mosaic beads.
This garden was made for her then 35-year-old daughter who had been diagnosed with cancer. Her daughter loved flowers so Prisbrey decided to make her a rose garden made out of headlights and recycled materials. Before her daughter's passing, she would love to wake up every morning and sit by the garden in silence.
Stones and roses is a pattern emulating masonry with little roses on the bricks. The pattern is believed to have been the most typical of all interior decorating designs in the mid 13th century. The pattern is believed to have been the most typical of all interior decorating designs in the mid 13th century.
Altar frontal of Italian opera di commessi, Dubrovnik Cathedral Detail of design with roses over crossed canes, 1882. Pietra dura (Italian: [ˈpjɛːtra ˈduːra]), pietre dure ([ˈpjɛːtre ˈduːre]) or intarsia lapidary [1] (), called parchin kari or parchinkari (Persian: پرچین کاری) in the Indian subcontinent, is a term for the inlay technique of using cut and fitted, highly ...
The formalised flower motif is often carved in stone or wood to create decorative ornaments for architecture and furniture, and in metalworking, jewelry design and the applied arts to form a decorative border or at the intersection of two materials. Rosette decorations have been used for formal military awards.
[citation needed] Making Crop art is not only a way preserving and rejuvenating a vibrant folk craft but its practice foregrounds the need to collect, store, and value the lore and varieties of seeds. [citation needed] In Los Angeles, the Tournament of Roses Parade floats employ the flowers of plants in a similar collage or mosaic style.
Roman guilloche around a scene with Diana the Huntress, late 2nd century AD, mosaic, Bardo National Museum, Tunis, Tunisia [1]. Guilloché (French:), or guilloche (/ ɡ ɪ ˈ l oʊ ʃ /), is a decorative technique in which a very precise, intricate and repetitive pattern is mechanically engraved into an underlying material via engine turning, which uses a machine of the same name.
Like other mosaics, Byzantine mosaics are made of small pieces of glass, stone, ceramic, or other material, which are called tesserae. [18] During the Byzantine period, craftsmen expanded the materials that could be turned into tesserae, beginning to include gold leaf and precious stones, and perfected their construction.
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