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Depiction of Lam-Ang, the protagonist of Biag ni Lam-Ang, an Ilocano epic.. Philippine epic poetry is the body of epic poetry in Philippine literature.Filipino epic poetry is considered to be the highest point of development for Philippine folk literature, encompassing narratives that recount the adventures of tribal heroes.
Portrait of the first man, Malakas, and woman, Maganda, who came out from a bamboo pecked by the bird form of the deity of peace, Amihan, in Tagalog mythology The Maranao people believe that Lake Lanao is a gap that resulted in the transfer of Mantapoli into the center of the world.
Philippine folk literature refers to the traditional oral literature of the Filipino people.Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups, as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
One contemporary evolution of the legend is its merger with another common Filipino mythological motif – that of soul-harvesting boats. The new stories suggest that borrowers who fail to pay their loans to the goddess would soon find themselves facing dire consequences, as Maria Cacao's boat comes to take their souls to the next world. [3]
Biag ni Lam-ang (lit. ' The Life of Lam-ang ') is an epic story of the Ilocano people from the Ilocos region of the Philippines.It is notable for being the first Philippine folk epic to be recorded in written form, and was one of only two folk epics documented during the Philippines' Spanish Colonial period, along with the Bicolano epic of Handiong.
The following is a list of gods, goddesses, deities, and many other divine, semi-divine, and important figures from classical Philippine mythology and indigenous Philippine folk religions collectively referred to as Diwatas whose expansive stories span from a hundred years ago to presumably thousands of years from modern times.
Hinilawod was first discovered "by accident" in 1955, when Filipino anthropologist F. Landa Jocano became interested in native folklore.He travelled the hinterlands of his home island of Panay with two colleagues collecting folk songs, stories, and riddles.
In the story, a Tikbalang becomes lonely for lack of a playmate during the full moon, a time when Filipino children of generations past traditionally went out to play in the moonlight. In a search for a playmate, the Tikbalang leaves his home in the Kalumpang tree and encounters first a Kapre , then a Nuno , an Aswang , and a Tiyanak before he ...