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Chit Oo Nyo was born Kyaw Swar on 30 December 1947 in Mandalay, Myanmar, the oldest of the seven children, to parents U Shwe Daung Nyo and Daw Sein Yin. [2] Called Kyaw Kyaw when young, [1] he grew up with stories told by his grandma, Daw Aye Kyin, a headmistress at a primary school.
The book was based on Ba Than's many years' experience as a history teacher, and the research he had done over the years. He had consulted several Burmese chronicles, primarily Hmannan Yazawin and Maha Yazawin, Burmese history books written by British historians (including A.P. Phayre, S.W. Cocks and G.E. Harvey) as well as English translations of Siamese and Lan Na history. [1]
Its collection used to have about 618,000 books and periodicals as well as 15,800 rare and valuable manuscripts. However, in 2006, the military government announced a plan to move a large part of its collection to a new National Library in Nay Pyi Taw , and to auction off its 8-story building and 10-acre (4.0 ha) lot in Tamwe Township . [ 3 ]
View a machine-translated version of the Burmese article. Machine translation, like DeepL or Google Translate , is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
According to the Law No. 15/2019 of May 24, 2019 of Myanmar (English translation from the Myanmar Law Information System): This is an audio-visual and cinematographic work, and 50 years have passed since the year of its creation (that is, the work was made before 1974 )
Myanmar National Literature Award (1994, 1999, 2002) Ma Sandar ( Burmese : မစန္ဒာ ; born 4 September 1947) is a well known Burmese writer. [ 1 ] [ 2 ] With a clear and engaging style, her works reflect the daily struggles of the people living in Myanmar .
Download as PDF; Printable version; In other projects ... [1] [2] [3] Early life and education ... The Mekong Myanmar Literature Award 2015 [4]
[6] [7] During the Hkit san movement, University of Rangoon students innovated new styles of writing, with shorter and clearer sentences, and unadorned prose, a radical transformation from royal writings of the pre-colonial eras beforehand. [2] The movement for independence continued to fuel Burmese literature.