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African American literary and artistic culture developed rapidly during the 1920s under the banner of the "Harlem Renaissance". In 1921, the Black Swan Corporation was founded. At its height, it issued 10 recordings per month. All-African American musicals also started in 1921.
Van Der Zee's work was the eyes of Harlem. His photographs are recognized as important documents of African-American life and culture during the early 20th century. They serve as a visual record of the achievements of the Harlem Renaissance. [48] Kelli Jones called him "the official chronicler of the Harlem Renaissance."
Culture writer Martin Chilton defines the term "Great American Songbook" as follows: "Tunes of Broadway musical theatre, Hollywood movie musicals and Tin Pan Alley (the hub of songwriting that was the music publishers' row on New York's West 28th Street)". Chilton adds that these songs "became the core repertoire of jazz musicians" during the ...
The Southern Renaissance (also known as Southern Renascence) [1] was the reinvigoration of American Southern literature in the 1920s and 1930s with the appearance of writers such as William Faulkner, Thomas Wolfe, Caroline Gordon, Margaret Mitchell, Katherine Anne Porter, Erskine Caldwell, Allen Tate, Tennessee Williams, Robert Penn Warren, and Zora Neale Hurston, among others.
American music history was compared to the much longer historical record of European nations, and was found wanting, leading writers like the composer Arthur Farwell to ponder what sorts of musical traditions might arise from American culture, in his 1915 Music in America.
1920s: Culture Wars. As European economies recovered and the USA boomed in the wake of World War I, the number of Americans living in cities exceeded the number on farms for the first time.
American modernist literature was a dominant trend in American literature between World War I and World War II. The modernist era highlighted innovation in the form and language of poetry and prose, as well as addressing numerous contemporary topics, such as race relations, gender and the human condition.
During this period in the early 20th century, American jazz was introduced on South African radios, and it became the most popular style of music in the urban areas of South Africa. The biggest consumer of jazz music was the newly black urban class in these shebeens based on the slums of South Africa.