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If a word can be replaced by one with less potential for misunderstanding, it should be. [1] Some words have specific technical meanings in some contexts and are acceptable in those contexts, e.g. claim in law. What matters is that articles should be well-written and be consistent with the core content policies – Neutral point of view, No ...
Leitwortstil, which means "leading word style" in German, [7] is the repetition of a wording, often with a theme, in a narrative to make sure it catches the reader's attention. [8] An example of a leitwortstil is the recurring phrase, "So it goes", in Kurt Vonnegut 's novel Slaughterhouse-Five .
Graffiti with a Nazi swastika and 14/88 on a wall in Elektrostal, Moscow, Russia Graffiti with 1488 and an obscure message on a wall in Volzhsky, Volgograd Oblast, Russia "The Fourteen Words" (also abbreviated 14 or 1488) is a reference to two slogans originated by the American domestic terrorist David Eden Lane, [1] [2] one of nine founding members of the defunct white supremacist terrorist ...
In literature, writing style is the manner of expressing thought in language characteristic of an individual, period, school, or nation. [1] As Bryan Ray notes, however, style is a broader concern, one that can describe "readers' relationships with, texts, the grammatical choices writers make, the importance of adhering to norms in certain contexts and deviating from them in others, the ...
Diction (Latin: dictionem (nom. dictio), "a saying, expression, word"), [1] in its original meaning, is a writer's or speaker's distinctive vocabulary choices and style of expression in a piece of writing such as a poem or story.
Bryson's Dictionary of Troublesome Words (ISBN 0-7679-1043-5) is a book by Bill Bryson, published under several titles since 1984, that catalogues some of the English language's most commonly misused words and phrases in order to demonstrate preferable usage. It helps writers and editors to think about how to make written communication clearer.
Reverse-engineering good prose as the key to developing a writerly ear – The starting point for becoming a good writer is to be a good reader. Good writers are avid readers. They have absorbed a vast inventory of words, idioms, constructions, tropes, and rhetorical tricks, and with them a sensitivity to how they mesh and how they clash.
Chapter Two: Words; Prose encourages the reader to slow down and read every word. She reminds the reader that words are the "raw material out of which literature is crafted." Challenging the reader to stop at every word, she suggests the following question be asked: "What is the writer trying to convey with this word?" Chapter Three: Sentences