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Romanian traditional clothing refers to the national costume worn by Romanians, who live primarily in Romania and Moldova, with smaller communities in Ukraine and Serbia. Today, the vast majority of Romanians wear modern-style dress on most occasions, and the garments described here largely fell out of use during the 20th century.
The ratio of Slavic loanwords is especially high in the religious vocabulary (25%) and in the semantic field of social and political relations (22.5%). [25] Slavic loanwords make up more than 10% of the Romanian terms related to speech and language, to basic actions and technology, to time, to the physical world, to possession and to motion. [26]
This category describes modern Romanian fashion. Traditional and historic Romanian clothing should be categorised under Category:Romanian clothing
Crveni opanci (Red opanci): made out of half tanned oxhide and dyed red by soaking the piece of skin in hot water with alder or birch bark, then the skin was shaped on a last, and a woven front made of strips of leather and tied to the foot with straps of leather. These were adopted from Bosnia in the mid-19th century and were worn throughout ...
This category describes traditional and historic Romanian clothing. Modern Romanian clothing should be categorised under Romanian fashion or Clothing companies of Romania Subcategories
Romanian Orthodox monasteries and churches exist throughout Romania, but traditionally, few are constructed on a monumental scale. A great number of wooden churches are still intact in the Carpathian Mountains villages, but by far, the most impressive is the Wooden Churches of Maramureș, which push wood building technique to its limits ...
Romanian art consists of the visual and plastic arts (including Romanian architecture, woodwork, textiles, and ceramics) originating from the geographical area of Romania. The production of art in Romania is as old as the Paleolithic, an example being a cave painting from the Cuciulat Cave ( Sălaj County ). [ 1 ]
In 1934, Cultul Eroilor donated a concrete cross to Cercetașii României, unveiled during their jamboree at Mamaia in the presence of King Carol II. [13] Throughout the 1920s and ‘30s, the society sent oak and concrete crosses to places around Romania, making efforts to include communities that struggled financially.